The Princess & The Platypus Foundation

  When people talk about Princess Diana’s style, it’s almost always the big gowns. The dramatic ones. The ones everyone remembers from photos and events. But honestly, that’s not the full picture. What she wore when she wasn’t “on duty”… that’s where things get more interesting. And in that space, Escada had a quiet role. Not loud, not flashy. Just there, doing its thing. Not Everything Was About Looking Royal Somewhere around the early 90s, her style started shifting. You can kind of feel it if you look closely. Less stiff, less… controlled. She didn’t always look like she was dressed for a formal moment anymore. Escada fits into that phase. The brand, led by Margaretha Ley, had this clean, structured but still relaxed vibe. Nothing over the top. It worked for Diana because it didn’t try too hard. And maybe she didn’t want to try too hard either at that point. The Jeans Thing (Which Still Feels Surprising) There’s this detail that stands out— Escada actually made custom je...

When people think about 1980s fashion, they usually go straight to the obvious stuff—huge shoulder pads, loud colors, all that slightly chaotic energy. And yes, that was part of it. But if you actually look at high-end evening wear from that time, it was… different. Much more structured. Dramatic in a very intentional way. One silhouette that really stood out was the mermaid gown. It wasn’t trying to be quiet or minimal. It was meant to be noticed, almost demanded attention in a way. At The Princess and the Platypus Foundation, inside the digital space of the Princess Diana Museum, there’s a piece that kind of sums all this up perfectly—a black velvet and white taffeta gown by Murray Arbeid . It’s one of those dresses that doesn’t just sit there, it sort of tells a story on its own. The Heavy Contrast of Velvet and Taffeta What makes an 80s mermaid gown interesting is the mix of fabrics. Not just for looks, but for structure too. In this Arbeid design, the bodice is made from dee...

  When people talk about Princess Diana , they usually jump straight to the glamorous stuff. The sleek dresses, the bold looks, the whole global icon image. But she didn’t start there. Not even close. If anything, her early style felt… unsure. Like she was trying to fit into something that wasn’t fully hers yet. And you can actually trace her whole story just by looking at what she wore over time. It’s kind of strange how obvious it becomes once you notice it. The early years… a bit too soft, maybe Back in the early 80s, she had that very “English rose” look. Soft, polite, almost fading into the background occasionally. Lots of florals. Ruffles. Those bow blouses that looked a bit… overly proper? Designers like Bellville Sassoon dressed her in a way that fit the royal expectations. And yeah, the famous wedding dress—huge, dramatic, and unforgettable—but also kind of overwhelming. Like the moment swallowed her a bit. It wasn’t bad style. Just… It is not fully her , if that m...

  In the summer of 1981, something strange happen. People all over the world stopped what they were doing to watch a wedding. Not a movie, not a football match. A real wedding. The marriage of Princess Diana and Prince Charles turned into a moment almost everyone remembers. even those who didn’t care much about the royal family. Diana Felt Like Someone You Could Know Diana didn’t look or act like the royals people were used to seeing. She was young, quiet, and a bit nervous. You could see it on her face. That made her feel real. A lot of people watching felt like she could be their daughter, sister, or friend. So when she walked down the aisle, it didnt feel distant. It felt personal, like something happening close to home, even if you lived far away. The Timing Was Just Right The early 1980s weren't exactly cheerful everywhere. News was heavy most days. This wedding came in as a break from all that. It was colorful, hopeful, and full of tradition. For a few hours, people co...